My research is primarily focused around 1) machine learning methods for understanding healthcare delivery and outcomes in the population, 2) analyses of correlated data (e.g. longitudinal and clustered data), and 3) survival analysis and competing risks analyses. We have developed tree-based and ensemble regression methods for censored and multilevel data, combination classifiers using different types of learning methods, and methodology to identify representative trees from an ensemble. These methods have been applied to important areas of biomedicine, specifically in patient prognostication, in developing clinical decision-making tools, and in identifying complex interactions between patient, provider, and health systems for understanding variations in healthcare utilization and delivery. My substantive areas of research are cancer and pediatric cardiovascular disease.
James Kibbie, DMA, is Professor and Chair of the Department of Organ in the School of Music, Theatre & Dance and University Organist at the University of Michigan, Ann Arbor.
Professor Kibbie’s current research will develop and analyze a library of digitized performances of Bach’s Trio Sonatas, applying novel algorithms to study the music structure from a data science perspective. The team’s analysis will compare different performances to determine features that make performances artistic, as well as the common mistakes performers make. Findings will be integrated into courses both on organ performance and on data science. The project Investigators are Daniel Forger, professor of mathematics and computational medicine and bioinformatics and Professor Kibbie.
Somangshu (Sam) Mukherji, PhD, is Assistant Professor of Music Theory in the School of Music, Theatre & Dance at the University of Michigan, Ann Arbor.
Sam Mukherji‘s work lies at the interface of traditional Western tonal theory, the theory and practice of popular and non-Western idioms, and the cognitive science of music. Within this framework, the main focus of his research has been on the prolongational, grammatical aspects of Western tonality, and their connection to the tonal structures of Indian music, and the blues-based traditions within rock and metal. This emphasis makes his work similar to that of a linguist who explores relationships between the world’s languages-and, therefore, Mukherji’s research has been influenced in particular by ideas from linguistic theory as well, especially the Minimalist Program in contemporary generative linguistics. For this reason, he has investigated connections not only between different musical idioms but also between music and language-and musical and linguistic theory-more generally. Much of his work explores overlaps between Minimalist linguistics, and related, generative approaches within music theory (such as those found in the writings of Heinrich Schenker), and he has also written extensively about what such ‘musicolinguistic’ connections imply for the wider study of human musical behavior, cognition, and evolution.
Ramon Satyendra, PhD, is Associate Professor of Music Theory and Director of Graduate Studies in the School of Music, Theatre & Dance at the University of Michigan, Ann Arbor.
Professor Satyendra holds a doctorate from the University of Chicago in music theory and history. Before coming to Michigan, he taught at Yale University and the University of Chicago. He currently serves on the editorial boards of The Journal of Mathematics and Music, Intégral, and Analytical Approaches to World Music. Highlights of previous service to the field include Executive Committee of the Society of Music Theory, editorial board of Music Theory Spectrum, and editor of the Journal of Music Theory. Among his awards are the Merten Hasse Award in Mathematics from the Mathematical Association of America and the Clauss Prize for Teaching Excellence in the Humanities from Yale University. He is a three-time fellow of the Mannes Institute for Advanced Studies in Music Theory. Satyendra’s research interests include music and mathematics, late nineteenth-century music, jazz, South Asian music, and compositional theory. He plays piano, organ, tabla, and guitar and has published in Music Theory Spectrum, Music Analysis, Journal of Music Theory, American Mathematical Monthly, and elsewhere.